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Giselle

14 February20 March 2026

Giselle

14 February20 March 2026

Giselle

14 February20 March 2026
Main Stage
Ballet and dance
Natalia Osipova as Giselle in Giselle ©ROH / Bill Cooper, 2014

Peter Wright’s acclaimed production of the greatest of all Romantic ballets is superbly atmospheric in its telling of Marius Petipa’s classic tale of love, betrayal and the supernatural.

Running time
The performance lasts about 2 hours and 15 minutes, including one interval.
Approximate running times:
#royaloperahouse
Generous philanthropic support from

Julia and Hans Rausing, the Paul Ferguson Memorial Fund, Aud Jebsen, Simon and Virginia Robertson, the Royal Opera House Endowment Fund and the Patrons of Covent Garden

Stream

Watch on ROH Stream from Friday 3 December 2021.

Story

The ballet dancer Marianela Nuñez, performing as Giselle, stands on a wooden carriage draped with grapes. She is wearing a brown corset over a cream dress and a flower headdress and holds up twigs and flowers. A dancer wearing a brown jacket, boots and belt puts one arm around her. Dozens of dancers stand or kneel around the carriage holding one arm up towards her. The scenery on the stage is set to look like a rural-style brushwork painting with cottages and trees.  

The world turns upside down for the peasant girl Giselle when she discovers her lover Albrecht is actually a nobleman promised to another. In despair, she kills herself. Her spirit joins the Wilis, the vengeful ghosts of women who have been jilted and die before their wedding day. The Wilis are hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost. Will he survive?

Background

Giselle is the classic ballet of the Romantic era – and, for the dancer performing the title role, one of the greatest challenges in the repertory. Peter Wright’s production, a classic itself, perfectly achieves the dual aspects of the ballet, moving from the naivety of young love between Giselle and Albrecht in the village setting of Act I to the ethereal Wilis in Act II’s eerie moonlit forest. Rich in vivid character detail and poignant depth of feeling, Giselle is a reminder of ballet’s power to move and thrill.

The view towards the Main Entrance Foyer from within the Royal Opera House café

Accessibility

There is lift access and step-free routes to over 100 seats in the Stalls Circle, Balcony and Amphitheatre. There are 10 steps or fewer to some seats in the Stalls Circle, Balcony, Amphitheatre and the Donald Gordon Grand Tier. All seats in the Orchestra stalls are accessed by 9 steps or more. There is an Assisted Hearing Facility, and we produce Audio Introductions for most Main Stage Events.

Book wheelchair spaces and accessible seating

Join our free Access Scheme to book accessible seating or wheelchair space options in our auditoria and event spaces. Email boxoffice@roh.org.uk or telephone +44 (0)20 7304 4000 for pricing and availability information, to book tickets or to register. Find out more about Accessibility at the Royal Opera House

Antonio Pappano in rehearsal for Live from Covent Garden, 13 June 2020 ©2020 ROH. Photograph by Lara Cappelli

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