Pretty Yende Stars in Handel’s Semele

Q: How did your journey to opera begin? 

A: It all began when I heard the British Airways advert featuring the Flower Duet from Léo Delibes’ opera, Lakmé. At the time, I was 16 years old watching TV with my family. Those 10 seconds gave birth to the career that I like to call the ‘Pretty Journey’. 

Q: When did you first encounter Handel’s Semele? 

A: In South Africa we have a huge choral tradition. The first time I got introduced to Semele was in my high school choir, where we sang all the choruses from this masterpiece. It has been an absolute delight to reunite with the opera, this time in the title role. 

Q: Do you have a favourite moment in the opera? 

A: From beginning to end. There is no note or melody that just doesn’t make me grateful to have accepted the role. It’s truly a wonderful experience performing in this opera. 

Q: How does Handel write for the voice, and how do you prepare, as an artist? 

A: He’s an absolute master composer for the voice. I recall when I started studying his music, it felt like I was witnessing the birth of bel canto opera. When I realised this, I was immediately guided into Handel’s musical world. I aim to bring a purity of sound and intense drama to the character of Semele. 

Q: Semele is a vulnerable woman in a world of the rich and powerful. What is striking or unusual about Handel’s approach to telling her story, musically?  

A: She's a woman of strength and determination, striving for what she believes she deserves. Her tenacity to break through so many boundaries and limitations is truly inspiring. She understands that love is worth every beat of her heart. And her character arc is written so beautifully by Handel. 

Q: The opera was first performed in Covent Garden. How does it feel performing this opera in the place where it was first heard? 

A: It’s a great privilege and an immense honour to be following in the footsteps of amazing and historical artists who first performed this masterpiece here. I’m beyond excited for the opportunity. 

Q: Audiences might know you from the Coronation of King Charles III, as well as recent Royal Opera productions of La traviata and Rigoletto. What does it mean to you to return to London for Semele? 

A: This opera house has always been on my dream list of places to perform. When I made my debut as Adina in Donizetti's L’Elisir d’amore, I was so thrilled. Every time I’m invited back, and entrusted with a leading soprano role, I’m always grateful. It really means a lot to me.