SATURDAY/LATE SHIFT
SATURDAY/LATE SHIFT
SATURDAY/LATE SHIFT
Performances, demonstrations, conversations. An evening of innovation and investigation in the world of AI.

An evening of exciting experimental performances and research and development presentations from leading innovators in the world of AI. Featuring Jennifer Walshe + EXAUDI + Dadabots, yaboihanoi, Aoi and Esteban and more.
Industry freelancers can access £20 tickets for SHIFT performances. To receive the discount code, please email boxoffice@roh.org.uk
An evening of exciting experimental performances and research and development presentations from leading innovators in the world of AI. Featuring Jennifer Walshe + EXAUDI + Dadabots, yaboihanoi, Aoi and Esteban and more.
Industry freelancers can access £20 tickets for SHIFT performances. To receive the discount code, please email boxoffice@roh.org.uk
Tim and Sarah Bunting
SATURDAY/LATE SHIFT
JENNIFER WALSHE + EXAUDI + DADABOTS / A LATE ANTHOLOGY OF EARLY MUSIC
Jennifer Walshe has been at the vanguard of experimental composition and AI for many years, and is a leading voice in the imaginative and provocative conversation between AI and classical music.
Walshe uses AI to imagine an alternative early history of Western music. Dadabots, the duo of CJ Carr and Zack Zukowski, trained their neural network on Walshe’s voice, producing 841 files over 40 generations of training. In A Late Anthology of Early Music, Walshe maps these files – examples of how a machine learning system learned to listen to and replicate her voice – onto key works from the Western music repertoire, the system’s understanding of her voice evolving in tandem with the evolution of a newly-constructed music history. This presentation, in collaboration with vocal ensemble EXAUDI, features new versions of canonical works by composers including Hildegard von Bingen, Adam De La Halle, Perotinus, Machaut, Dunstable, Ockeghem, Dowland, Gesualdo and many more.
Harry Yeff (Reeps100) + Patricia Auchterlonie
Artist Harry Yeff (Reeps100) uses AI technology to bend and break the emergent possibilities of the human voice.
Over the last 10 years Yeff has fused his voice practice with technology, pushing extended vocal technique into uncharted territory. An AI research continuation of his co-directorial work with Leipzig Opera House on Fusion, -transference- is performed with Patricia Auchterlonie and references AI's role in transcending human ability in chess, leading on how ethical AI processes can be wielded to push, oppose and challenge the current known limit of the human voice. Seeking new tone, pattern and emotion through the partnership of human and generative voice.
AΦE, Aoi and Esteban / LILITH AI Lecture Performance
LILITH.AI Lecture Performance is an intimate journey into the space between life and death, where technology and human experience intertwine. Through this performative lecture, artists Aoi and Esteban unfold their encounter with mortality – a personal loss that led them to discover Matheryn Naovaratpong, the youngest person to be cryogenically frozen, and ultimately to create their digital offspring, Lilith and an interactive installation LILITH.AEON.
yaboihanoi / FLIGHT OF KINAREE - กินรีหนีไฟ
yaboihanoi uses AI technology to revision and re-imagine classical Thai opera.
This multi-modal experience reimagines Nang Yai, the classical Thai artform blending masterful dance, puppetry, music and poetry into one operatic experience. With modern electronic music and live projection, movements and motions from Thai classical dance form the bedrock of the performance’s visual experience. Through visual effects and data extracted and manipulated through AI/ML algorithms, the projections are an exploration of Thai choreography through the lens of technology.
Background
The Royal Opera’s Associate Director Netia Jones curates a four-day festival exploring the shifting boundary between opera and technology. The focus for the first festival is the ever-growing world of artificial intelligence. What can AI offer creatives? And what can creatives offer the world in the age of AI?
Events for this inaugural festival include four EARLY SHIFT/LATE SHIFT sessions featuring experimental performances and research and development presentations from a diverse range of practitioners, the SHIFT EXCHANGE, a day of conversation with leading AI thinkers, and PLAY SHIFT, a relaxed day for all the family that encourages immersion and interaction. Alongside the four festival days, the Linbury Foyer will be open daily and free to the public and will feature exciting exhibitions and displays offering further interactive exploration.
Featured artists include legendary American experimental composer and improvisor George E. Lewis with soprano Juliet Fraser, Alexander Whitley Dance Company, vocal artist and AI innovator Harry Yeff (Reeps100) with soprano Patricia Auchterlonie, experimental composer Jennifer Walshe with vocal ensemble EXAUDI and AI sound artists Dadabots, composer Paola Prestini, AI sound artist and research scientist yaboihanoi and transdisciplinary artist Stephanie Dinkins and many more.
You do not need to remain seated throughout this event. Your ticket grants entry throughout your 4-hour session; join at whatever point and leave when you wish.
Performers and programme subject to change.
Industry freelancers can access £20 tickets for SHIFT performances on Thursday and Saturday. To receive the discount code, please email boxoffice@roh.org.uk
Get tickets for Saturday EARLY and LATE SHIFT at a discounted rate when purchased together.
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Access
For step free-access and wheelchair spaces in the Linbury Theatre, you will need to book seats on the right-hand side of the auditorium. There is an assistive listening system available. Join our Access Scheme for priority access to tickets and to inform of your access requirements. See our Accessibility page for more information or view a visitors guide (PDF, 12.0 MB).
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