Disruptors: Tanowitz, Junker, Khan, McGregor

Ballet and dance

Think you know ballet? Think again. This mixed programme features Pam Tanowitz’s Or Forevermore, Joshua Junker’s Never Known, Akram Khan's Hunting a Whisper in the Wind and Wayne McGregor’s Chroma.

Two Royal Ballet dancers perform on stage wearing monochrome leotards and white shorts. One dancer is in a lunge position supporting the other dancer who leans against them. The stage is stark with a dark backdrop.

How to watch

Not yet on sale

General booking opens on 10 February 2027

Priority booking dates

Dates

6 - 25 May 2027

Location

Main Stage

Approximate timings

The performance will last approximately 2 hours and 30 minutes, including two intervals.

Expand all dates

Guidance

Suitable for all. Children under the age of five are not permitted into our theatres. Children over the age of five must have their own ticket and sit next to an accompanying adult.

Generous support from

Exceptional philanthropic support from

Royal Ballet and Opera Principal The Julia Rausing Trust

Generous philanthropic support from

Tim and Sarah Bunting, Dame Tina Taylor DBE, The American Friends of Covent Garden, Royal Ballet and Opera Friends and the Royal Opera House Endowment Fund 

Resident Choreographer Wayne McGregor generously supported by

Dame Tina Taylor DBE

The 2026/27 Royal Ballet Season is generously supported by

Aud Jebsen

Creatives

The artists and creatives behind the production

Or Forevermore

Choreography

Pam Tanowitz

Costume Designers

Reid Bartelme, Harriet Jung

Lighting designer

Simon Bennison

Never Known

Choreography

Joshua Junker

Sound designer

Angel Perez Grandi

Costume designer

Noemi Daboczi

Lighting designer

Zeynep Kepekli

Hunting a Whisper in the Wind

Choreography

Akram Khan

Chroma

Choreography

Wayne McGregor

Orchestration

Christopher Austin

Set designer

John Pawson

Costume designer

Moritz Junge

Lighting designer

Lucy Carter

Discover

Think you know ballet? Think again. Experience ballet in a fresh light with four genre-defying works from three contemporary choreographers in this mixed programme featuring Pam Tanowitz’s Or Forevermore, Royal Ballet dancer Joshua Junker’s Never Known, Akram Khan’s Hunting a Whisper in the Wind and Resident Choreographer Wayne McGregor’s Chroma.

Or Forevermore

Pam Tanowitz intertwines wit, fun and pathos in Or Forevermore, where the unexpected awaits with every note of Ted Hearne’s multi-textural score. Known for her boundless curiosity and deft subversion of balletic convention, the American choreographer created this work for The Royal Ballet in 2024. 

Never Known

Another first revival, Never Known is a 2024 work by The Royal Ballet’s Joshua Junker that is by turns slickly hypnotic and deeply stirring. To the intricate electronic sounds of Nils Frahm and Vikingur Ólafsson, dancers move in a mesmeric maze of groups and duets. 

Hunting a Whisper in the Wind

Disruptors will feature Hunting a Whisper in the Wind, a poetic pas de deux from Akram Khan, the internationally-acclaimed choreographer celebrated for his bold and imaginative approach to storytelling through movement.

Chroma

In celebration of his 20th anniversary as Resident Choreographer, the Company revives Wayne McGregor’s Chroma. The ballet burst onto the scene in 2006, electrifying audiences with its radical exploration of the extremes of the human body. With a powerful score by Joby Talbot and Jack White III, Chroma and its success led to McGregor’s appointment in his current role and earned him an Olivier award. 

Dance highlight: Wayne McGregor’s Chroma

Anna Rose O'Sullivan in Or Forevermore, The Royal Ballet ©2024 Tristram Kenton
Anna Rose O'Sullivan and William Bracewell in Or Forevermore, The Royal Ballet ©2024 Tristram Kenton
Or Forevermore, The Royal Ballet ©2024 Tristram Kenton
Mayara Magri and Marcelino Sambé in Or Forevermore, The Royal Ballet ©2024 Tristram Kenton
Chroma, The Royal Ballet and Alvin Ailey American Dance Theater, ©2016 ROH. Photographed by Andrej Uspenski
Rachael McLaren (Alvin Ailey American Dance Theater) and Steven McRae in Chroma, The Royal Ballet and Alvin Ailey American Dance Theater ©ROH, 2016, Photographed by Andrej Uspenski
Never Known, The Royal Ballet ©2024 ROH. Photographed by Andrej Uspenski
Never Known, The Royal Ballet ©2024 ROH. Photographed by Andrej Uspenski

Accessibility and resources

There is lift access and there are step-free routes to over 100 seats in the Stalls Circle, Balcony and Amphitheatre. Some seats in the Stalls Circle, Balcony, Amphitheatre and the Donald Gordon Grand Tier are accessed by 9 steps or fewer. There are 10 steps or more to access seats in the Orchestra Stalls. 

You can use the assistive listening systems in our auditoriums. Surtitles, captions and translations in English are displayed on screens above the stage and around the auditorium.

Join our Access Scheme for priority access to tickets and to inform us of your access requirements.

See our Accessibility page for more information or view a visitors guide (PDF, 12.0 MB).

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